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120 mins
Director
Leni Riefenstahl
Music
Herbert Windt
People
Adolf Hitler
Martin Bormann
Sepp Dietrich
Josef Goebbels
Hermann Göring
Rudolf Hess
Heinrich Himmler
Producer
Leni Riefenstahl
Movie data: IMDB
This documentary of the Sixth Nazi Party Congress at ironically enough Nuremberg is a frightening example of powerful film propaganda. It helped launch Hitler into power and its sweeping style was later used by American director Frank Capra for his war documentaries.
Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.
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Without historical perspective, one can appreciate the power and the seduction these images had. It’s no wonder Triumph of the Will ran in full and in parts in theatres across Germany until the end of the war. But with the perspective of the Holocaust, the fall of many European countries, and the near successful run at world domination by a maniacal leader, we can really comprehend the dangers of oppressing a people to the point where A) they have nothing left to lose, and B) they will latch on to anything in order to rise again.
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Lenin may have declared the motion picture as the most powerful propaganda tool of the state, but it was Leni Riefenstahl who created the masterpiece of the genre, and this is it. Every film technique known in 1935 was used at its highest level, but for a supremely negative purpose.
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It's a reminder of the past and of the power of the moving image, for sure, but more than anything we look at the Nazis and roll our eyes, content that we're seeing a bygone era of loonies.
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Even before you get to its political aspects, the film shows its age because it fails to overcome its primitive technique and melodramatic narrative structure, rendering it a document of solely historical and sociopolitical interest, a movie not at all tolerable in even the conventional sense.
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