More War


More Politics




112 mins
Director
Peter Davis
People
Georges Bidault
J. William Fulbright
Lyndon Johnson
John F. Kennedy
Robert F. Kennedy
Richard Nixon
George S. Patton IV
Ronald Reagan
Bob Hope
Producer
Henry Lange
Bert Schneider
Movie data: IMDB
A courageous and startling film, Peter Davis' landmark documentary Hearts and Minds unflinchingly confronts the United States' involvement in Vietnam. Using a wealth of sources-from interviews to newsreels to documentary footage of the conflict at home and abroad-Davis constructs a powerfully affecting portrait of the disastrous effects of war. Explosive, persuasive, and shocking, Hearts and Minds is an overwhelming emotional experience and the controversial winner of the 1974 Academy Award® for Best Documentary.
1960s, 1970s, Vietnam War, Oscar winner
... a stunning insight into the disillusion and discontent that was to wash through the rest of that decade.
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Power is virtually the first word heard in Peter Davis's epic documentary, "Hearts and Minds," and power, real and mythical, is what the film contemplates in as many tones and moods as you might expect in superior fiction.
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The unnerving brilliance of the film owes to the director's skill at assembling information and allowing it to speak for itself. The scenes have full weight and amplitude; nothing is exploited for an easy effect. "Hearts and Minds" builds a withering critique by never raising its voice.
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It's one of the best documentaries ever made, a superb film about the thoughts and feelings of the era, the whole festering, spirited animus of it.
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A powerful examination of what went into the Vietnam War and what came out of it; not exactly a probe into causes so much as a look at motives and effects, it spares no one while being sympathetic to nearly all views. One of the great documentaries and highly recommended.
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One of the only films about the conflict that was made and released before its conclusion, it has found renewed political relevance in post-Iraq war America, where 1960s communist paranoia has been traded in for 21st century terrorist paranoia, prompting similarly polarised public and political attitudes and quotes as dogmatic, ill-informed and simplistic as any presented here.
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Still shocking, still powerful, still prudent. What is it they say about the more things change?
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At its best, Hearts & Minds bears wrenching witness to the terrible cost of war, from permanently traumatized soldiers to the communities and families it destroys. One of the definitive anti-war documentaries, Davis' film puts a human face on an American and Vietnamese tragedy.
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There were, and are, no words to express the darkness of men's souls; there is only art. And, besides being a good documentary on the Vietnam war, this film is art, of the most important kind.
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It is highly recommended viewing, giving a frank depiction of the effects of American foreign policy on another country that was trying to adopt US values of independence.
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Hearts and Minds shows how the United States failed to win over the hearts and minds of not only the Vietnamese people, but also numerous Americans, including former soldiers and politicians. The film shows the “enemy” as human, as people, not faceless strangers.
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Davis's view of the war is very clear despite his efforts to provide a balanced view of its causes and effects, its pros and cons. For once, we get an idea of what the ordinary Vietnamese experienced and what they thought about American support, rather than just a parroted response from the propped-up South Vietnamese regime.
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Unlike Moore, Davis treats all his interviewees with due respect and gravity. There are no mocking stunts or contrived entrapments here; rather, the subjects are left to be judged by their own words.
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Hearts & Minds isn't exactly a rah-rah piece of American propaganda—far from it. Instead, it's a documentary that reaches into the soul and tries to make sense, in human terms, of an American tragedy.
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If we know something about how footage is obtained and how editing can make points, it sometimes looks like propaganda, using such standard tricks as the juxtaposition of carefully selected but unrelated material to create a desired effect. And yet, in scene after scene, the raw material itself is so devastating that it brushes the tricks aside.
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Few films — documentary or otherwise — have shown as effectively how political doctrine turns into bloody chaos once boots hit the ground.
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If Davis weren't so obviously compromised, I'd say his Hearts and Minds was the most uncompromising look at the Vietnam War you'll find.
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Clearly Davis is trying to attain an emotional response rather than an intellectual one and it is this approach with we see throughout.
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Davis's sharp, contrapuntal structure hammers the point again and again — how much longer can the American government, and the American public, turn a blind eye to the horrors of Vietnam, particularly in an arena of battle that offers no clear strategy or victory?
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