More Religion




96 mins
Actor
Liev Schreiber
Philip Bosco
Natasha Richardson
Eli Wallach
Director
Oren Jacoby
Music
Joel Goodman
Producer
Oren Jacoby
Michael Solomon
Betsy West
Movie data: IMDB
Constantine's Sword is an astonishing exploration of the dark side of Christianity, following acclaimed author and former priest James Carrol on a journey of rememberance and reckoning. Warning of what happens when military power and religious fervor are joined, this new film from Oscar-nominated director Oren Jacoby asks: Is the fanaticism that threatens the world today fueled by our own deeply held beliefs?
Director Oren Jacoby shapes this documentary like a detective story so that every answered question leads to more questions until the big picture is revealed. It is a riveting history lesson that charts Christianity from its origin through many of its controversies.
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It sounds as dutiful as can be: a documentary tracing the legacy of anti-Semitism within the church. Yet the fascination of this inquiring movie, based on the book by former leftist priest James Carroll, is that, like The Da Vinci Code, Constantine's Sword grasps at the enigmatic flux of Christian history.
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... Constantine's Sword is engrossing, and will likley prompt many viewers to explore these issues in greater depth, and that's all makers of a documentary like this can reasonably hope for.
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The movie can be faulted for its disparagement of Scripture, but it remains a powerful testimony to the experiences of those who have been cut by Constantine's sword.
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It's clear that Carroll and Jacoby wanted, with the strong current link between the American military and evangelism, to present a modern-day corollary to the Catholic Church of earlier centuries, where church leaders lent spiritual blessings to dubious military ventures and religious intolerance. But it feels thinly argued, a poor comparison to the bulk of this excellently thoughtful and personal film.
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Constantine’s Sword is selective in its particulars and in pointing the finger exclusively at Christian and Catholic violent extremism. Yet Carroll is sincere about wanting to make religion a constructive force in the world and in warning about its lamentable and terrifying potential.
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The movie raises important issues, but it provides few answers as it moves along in uninspired, talking-heads fashion.
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