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96 min
Director
Ellen Kuras
Thavisouk Phrasavath
Music
Howard Shore
Narrator/Host
Thavisouk Phrasavath
Producer
Flora Fernandez-Marengo
Ellen Kuras
Movie data: IMDB
Shot over the course of 23 years. Thavi narrates his own story as a child surviving the Vietnam war and then as a young man struggling to overcome the hardships of immigrant life, an experience shared with his mother in war.
Thavisouk’s unforgettable journey reminds us of the strength necessary to survive and of the human spirit’s inspiring capacity to adapt, rebuild, and forgive.
Oscar nomination, Laos, Vietnam War, Immigration
Thavi's story is about love, family, culture, betrayal, struggle, and, ultimately, survival and triumph, making Nerakhoon (The Betrayal) a powerful tale with a heart and soul you won't soon forget.
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Impressionistic and lyrical, as well as somber and gripping, The Betrayal conveys a ceaseless flow. It's as if the filmmaker has opened a window onto a parallel world traveling beside our own.
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The film resonates for a future as yet unknown as it looks back on events obscured by history and media images.
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"The time will come when the universe will break," according to one Lao prophecy. From the shards we have this work of indelible lyricism.
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I must admit the first 20 minutes had me thinking I was in for a historical docu-drama. Little did I know that this massive framework, the Laotian war, was simply the groundwork for what is likely the most touching human drama I’ll see this year.
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The past-and-present layering is a lot more resonant - and less sketchy - than the film's theme of ''betrayal,'' both familial and governmental.
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A complicated, sometimes tragic chronicle emerges in “The Betrayal,” but the film is driven less by chronology or plot than by the expressive counterpoint of words, music and images.
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In blending home movies, newsreel footage, cinéma-vérité observation and Phrasavath's occasional, rueful narration, the filmmakers have created a shimmering, absorbing experience that's both specific and general, both concrete and abstract.
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Though an admirable attempt to allow the characters to tell their own story in their own voices, docu may be a bit too freely associative, as it becomes difficult at times to identify individual characters and the precise order of events. Pic's second half, which proceeds in a more linear fashion, is resolutely gripping.
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"The Betrayal" is a potent mix of archival footage, talking heads and visually arresting montages.
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Recounting the harrowing journey of her subject, Thavisouk Phrasavath, born in war-ravaged Laos in the late ’60s, Kuras is not interested in a detached portrait of suffering.
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Failing to deliver on historical context and on a nuanced picture of the family’s displacement, The Betrayal is unfortunately more a picture of liberal hand-wringing than social commentary.
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