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89 mins
Director
Godfrey Reggio
Music
Philip Glass
People
Marlon Brando
Bella Donna
Elton John
Julia Louis-Dreyfus
Troy Aikman
Osama Bin Laden
Bill Clinton
Warren Christopher
Fidel Castro
Albert Einstein
Adolf Hitler
Nikita Khrushchev
Martin Luther King
Henry Kissinger
Dalai Lama
V.I. Lenin
Greg Louganis
Producer
Joe Beirne
Godfrey Reggio
Lawrence Taub
Movie data: IMDB
In this cinematic concert - the concluding film of the Qatsi Trilogy preceded by the critically acclaimed Koyaanisqatsi ("Life Out Of Balance"), and Powaqqatsi ("Life In Transformation") - mesmerizing images reanimated from everyday reality, then visually altered with state-of-the-art digital techniques, chronicle the shift from a world organized by the principles of nature to one dominated by technology, the synthetic, and the virtual. Extremes of intimacy and spectacle, tragedy and hope, fuse in a tidal wave of visuals and music, giving rise to a unique artistic experience that reflects Reggio's visions of a brave new globalized world.
Naqoyqatsi challenges its audience to escape from the grasp of the virtual world. And when it is over, we congratulate ourselves on having stepped back into the "real world," where we believe we can control the pace at which technology, the golem we thought we created to change the natural world, changes us.
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A harrowing exploration of man’s slow devolution through science, technology, and warfare in the forms of raw stock footage, computer animation, military training videos, and major conglomerate product commercials, the film is a true sight to behold.
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Long story short - if you liked the other two movies is the Qatsi series, you're bound to get something out of this. If you're unfamiliar with the first two, I'd advise you to check them out first... viewing this outright might be a little too disarming (unless you're up for the challenge!).
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If Microsoft and Nike ever merged into one corporate megalith (MicroNike?) and commissioned Leni Riefenstahl to direct its visionary new Super Bowl commercial, the result might look something like Godfrey Reggio's Naqoyqatsi.
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Dense collage of digitally altered images often looks shockingly like some super-hip media agency's show reel.
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Its relentless depiction of competition, regimentation and universal bellicosity inevitably reflects an international political climate charged with mounting fears of war and terrorism. What makes the film all the more disturbing is that much of it is also beautiful.
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For the Completist, I recommend Naqoyqatsi. It's by no means a bad film. But for someone unfamiliar with the Qatsi aesthetic, I wouldn't start with this one.
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That Reggio uses the most high-tech means to deliver a cautionary commentary on high technology is an easily digested paradox. More problematic, as it has been from the beginning of the trilogy, is the way his tweaking of images of pain, suffering, tragedy and physical devastation overweeningly aestheticize the experiences he depicts.
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